identifier: 2014063 TELEVISION 1928 [SOLD]
One of the perks of being Head of Technical Services at the Museum of the Moving Image in London was that I got to talk with many interesting members of the public. One day, in the mid 1990s, I met a lady and her teenage son. She greeted me in a broad Scottish accent, introducing me proudly to the youth: “This is James. He’s made a Baird 30-line television, and it worrrks!” James (real name forgotten) was 18 or 19. I congratulated him, but was slightly sceptical, as I knew what was involved in such a project. “Where did you find all the information?” I asked. “Encyclopaedia Britannica,” he replied. My scepticism deepened. “You made a 30-line television receiver from information you’d read in the Encyclopaedia…” The lady broke in. “Well he can’t read, so I read it to him.” Evidently reacting to my bewildered expression, she explained, “He’s dyslexic.” I nodded, and started firing questions at James. “What did you do for a neon lamp?” “Dismantled two electric mains-tester screwdrivers, used the lamps together…..” Sounded plausible. And the big question, “Where was the 30-line signal coming from?” “The local electronics club got some members to build a line-dropper / frame frequency converter for me, so that I could use 625-line signals.” All the right answers. So it was true. He told me what happened if you slowed down the ‘scanning’ disc by pressing on the edge – the image doubled – and of the problems he’d had and how he’d overcome them. I was almost speechless. I lent them my copy of The Television Book (1936) and wished them luck in their future endeavours. “You must be the world’s foremost technical expert on 30-line television construction,” I suggested to James. “Yes,” his mother replied, “and I’m the second.” They returned the book some months later, with a note that James was expecting to start college soon. I bet that kept his mother busy for a few years. Their fellow countryman John Logie Baird would have been so proud of them both.
Which brings us to:
Television. A Monthly Magazine. Vol. 1, No.1, 1928. The World’s First Television Journal. The Official Organ of the Television Society.
Editor: A. Dinsdale. (London, The Television Press), 1928. 8vo. Original illustrated coloured paper cover depicting a distinguished couple watching the opera being received on their television set, with the actual opera shown in the background. Profusely illustrated throughout. 52 pages + one loose leaf: “Supplement to Television, No. 1 – March, 1928” (comprising the article “Seeing Across the Atlantic!”).
“Of all scientific subjects, perhaps the one which is creating the most interest in the public mind at the present time is television. It is, however a subject upon which almost no literature or authentic information has been available, either to the interested amateur or to the scientist.
* * * *
It is the object of this, the first journal of its kind in the world, to fill this want, and to supply an organ the sole object of which will be to keep interested members of the public supplied with up-to-date and authentic information upon this new branch of science, which bids fair in time to rival wireless broadcasting in importance and popularity.” (from the Editorial by Dinsdale).
This magazine existed in both the UK and USA, in two slightly different versions. This is the first issue – worldwide – and was published in the UK in March 1928. The American version was issued in November 1928. The covers of both versions are illustrated here:
Television, Vol. 1, No.1, March, 1928, London, 1928. The first issue of the world’s first television journal, the official organ of the Television Society. 52 pages; illustrated throughout (including a full page by W. Heath Robinson); original pictorial wrappers. Includes the rare single-sheet supplement with the article “Seeing Across the Atlantic!” Articles include ‘Noctovision: Seeing in Total Darkness by Television,’ by Roland F. Tiltman; ‘Light-Sensitive Cells,’ by K. M. Dowberg; ‘Television on the Continent,’ by M. Dumont; ‘How to Make a Simple Televisor,’ by the technical staff; ‘Commercial Television: When May We Expect it?’ by the editor, Dinsdale; and, ‘Glimpses into the Future: Television in Warfare,’ by R. Heath Bradley, and others.
Perhaps no other published item in the history of television more successfully evokes the very beginnings of the medium’s introduction to the public.
Condition: Very good. Some lower corners have a crease in the margin, and dusty in that area. Pages are slightly tanned, but firm and supple. Staples just starting to show rust. Now in an acid-free paper wallet inside cloth-covered boards, ready for your bookshelf.
Scarce, and almost impossible to find in this condition. There’s a copy on ABE as I write, at £1,000 plus, and another at just £360. The example here is in better condition than the last mentioned.
Price: [SOLD]. firstname.lastname@example.org